Intersections of contemporary music
This field of research deals with aesthetic phenomena that have increasingly come into focus since the 1990s: Composed Theatre, sound research, new music systems, improvisational practices, connections to painting and literature, new authorial attitudes in performance practice and the disappearance of the performer.
This field of research is not primarily interested in static work structures, but in creative development processes and the social interaction patterns on which these are based. Furthermore, the frequently-discussed questions of ‘worldliness’, of musical autonomy and relationality, of social, economic and political contexts, especially of experimental music theatre and related stage forms, are also discussed.
To record and document contemporary music practices, the field of research utilises proven methods of qualitative field research and ethnography, among others. In addition to explanatory models from genetic studies of performances, theories of action from ritual research in particular are used to interpret processes.
Core competences
- Empirical observation and analysis of creative processes in the contemporary performing arts
- Experimental research into the artistic means of contemporary music
- Expertise in promoting excellence and developing the quality of the interfaces between music, theatre, visual arts, literature etc.
- Design, monitoring and evaluation of projects that use the dialogue-promoting and identity-creating potential of experimental music (interculturality, migration, globalisation)
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Bern Academy of the Arts HKB
Research
Institute Interpretation
Operational assistance: Reto Witschi
Fellerstrasse 11
CH-3027 Bern