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Met live

A private collection of over 15,000 hours of audio recordings from the New York opera houses in the years 1970–2010 is to be indexed, preserved and made available for interpretation research.

Factsheet

Situation

Above and beyond this, the present feasibility study is intended to thematise urgent questions about the preservation of audio archives in our digital age. This one-year preparatory project will clarify issues of context and conservation, develop a digitisation concept, carry out initial interpretation analyses, and will plan the further indexing of the collection.

Contact

Nathalie Pernet

  • Leiterin Fachstelle F+E
  • +41 31 848 38 18
  • Show e-mail

Publications

  • Conference Paper

Moeckli, Laura (2 September 2020). The Ehrenreich Collection: Virtual Tour and Introduction Bootlegging practices and identities in the Ehrenreich collection In: Bootleg Opera – The Ehrenreich Collection and the Practice of Private Opera Recording. online. 2.-4.9.2020.

  • arbor.bfh.ch/14222
  • Conference Paper

Moeckli, Laura (5 September 2019). Sounds and identities of “liveness” in the Ehrenreich recordings. In: Symposium New takes on recorded music: performances, creativity and technology. University of Surrey. 5. - 6.9.2019.

  • arbor.bfh.ch/11408
  • Conference Paper

Puhrer, Teresa (5 September 2019). Liveness vs. 'Liveness'? Emotions and the operatic reception experience in live performances and in recordings of the Ehrenreich collection. In: Symposium New takes on recorded music: performances, creativity and technology. University of Surrey. 5.9.2019.

  • arbor.bfh.ch/11407
  • Conference Paper

Moeckli, Laura (8 July 2019). Bootleg Opera: Sounds and Identities in the Ehrenreich Recordings 1960s-2010s In: Agency and Identity in Music, IMS Intercongressional Symposium. Luzern. July 7–10, 2019.

  • arbor.bfh.ch/10237

Links

Documents