Helvetia through a Twelve-Note Lens
Charting the history of Arnold Schoenberg’s 12-note method of composition in Switzerland, from its initial reception in ca 1923 via its heyday in the late 1940s and 1950s to its decline towards the end of...
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Institut(s)
Institut Interprétation
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Unité(s) de recherche
Intersections de la musique contemporaine
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Direction du projet
Christopher Walton